Monday, February 25, 2019

Spiking Oscar

After reading this morning’s post mortem analysis by the most respected columnists no one ever heard of, but are to a person (formally, a man) experts not only on the art of cinema, but the Academy Awards and the monolith that is the Academy in thought, I dialed up Roma. They assure me Roma is the best film of the year, in addition perhaps the best film ever made. The Best Film award was awarded to Green Book, they claim, as part of a racist whitewash.
 Only noted Spike Lee authority, Spike Lee, had the moral courage to give a ‘’no comment, next question’’ when asked about Green Book. Considering all of the above, I gave a look at Roma. I think I say can it is possibly the most boring film I have ever seen. During the half hour I could stay with it, it consisted largely of a lockdown camera recording the activity of a housekeeper as she goes about making life easier for her employers, a family of white people. She is clearly an Indian. I watched until she and a date ended up in a hotel room, post date. The nude boyfriend runs through a marshal arts routine while his his pecker flops up and down. Exult. 

 Spike Lee took his bad manners and angry black-man act to the ceremony, dressed as a chauffeur, complete with cap. Color purple. Apparently his head was cold as he kept the cap on throughout the entire broadcast. As you may recall Spike did not approve of Clint Eastwood making Bird, about Charlie Parker, a musician he admires. Spike thought is was just not right for a white man to make a film about a black man. Spike is not racist, at least according to him. Then there was his criticism of Flags of Our Fathers, a film about the Marines and the corpsman who raised the flag over Mt. Suribachi. It matters not to Spike none or the Marines or the sailor were black, although one of the jarheads was a Pima Indian. In Letters From Iwo Jima not one of the Japanese soldiers was black and that really pissed off Spike. Spike is untroubled by history. He is also ignorant of history. 

 Spike Lee’s status as a sawed-off little creep is for him a moral and ethical decision, not an accident of birth.

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